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Yerevan Cascade

 

The Yerevan Cascade is another Soviet-era project that was only partially completed in 1991 when the Soviet Union collapsed.

It was conceived as a giant stairway linking the relatively flat area around the Opera House up a steep hill to a series of monuments on the heights above the city, offering unobstructed views of central Yerevan and Mount Ararat.

 

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Yerevan Cascade - conceived as a giant stairway linking the city to a series of monuments on the heights
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The lower, completed part, is quite stunningly clad in white limestone.  

Inside the Cascade there are seven pairs of escalators that rise to landings within the complex, some of which connect to exhibit halls that are now elements in the Cafesjian Museum of Art.

 

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The Cascade looks daunting from outside but seven pairs of escalators inside save a lot of climbing
 

Gerard Cafesjian was a, Brooklyn born, American-Armenian philanthropist and collector (1925-2013), who was gifted the unfinished complex as an art gallery, conditional upon its renovation. His Cafesjian Museum Foundation then invested over 35 million US dollars in stage one of the project that opened again to the public in 2009. He died before a planned top gallery was built.

Outside the flow of the Cascade is interrupted at intervals by fountain courts featuring modernist sculptures from the Cafesjian collection. 

 

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Fountain courts interrupt the flow of steps - Ararat in the distance
 


Wikipedia tells us:

'The majority of the museum's collection are derived from the private collection of the founder Gerard L. Cafesjian. With more than 5,000 works, the centre exhibits one of the most comprehensive glass collections in the world, particularly the works of the Czech couple Stanislav Libenský and Jaroslava Brychtová, whose collaborative work revolutionized the use of glass as an artistic medium. Other important glass artists in the collection include Dale Chihuly, Bohumil Elias, Pavel Hlava, Jaromír Rybák, Ivana Šrámková, Bertil Vallien, Lino Tagliapietra, Mark Peiser, and Hiroshi Yamano. The collection also has substantial holdings in drawing, painting and sculpture by many influential artists including Fernando Botero, Arshile Gorky, Jennifer Bartlett, Lynn Chadwick, Barry Flanagan, Jaume Plensa, and François-Xavier Lalanne'.

 

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Part of the glass collection - reminds me of a Limerick:  There was a young man from Madras...

At the base of the Cascade is a garden sculpture court with works by contemporary sculptors including several by Botero.

 

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Works by Botero and several other contemporary sculptors 

 

The top, unfinished, part remains a dilapidated building site.  Much of the exposed 1970's concrete is crumbling, exposing the steel reinforcing, and it looks anything but safe. We made our way up some very dodgy stairs and paths to admire the view. It was quite a steep climb.

 

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At the top - the concrete is crumbling - and this is an earthquake area

 

After our exertions we had earned a coffee at one of the up-market restaurants that line the street adjacent to the lower sculpture gardens.
 

 

 

 

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Travel

Egypt, Syria and Jordan

 

 

 

In October 2010 we travelled to three countries in the Middle East: Egypt; Syria and Jordan. While in Egypt we took a Nile cruise, effectively an organised tour package complete with guide, but otherwise we travelled independently: by cab; rental car (in Jordan); bus; train and plane.

On the way there we had stopovers in London and Budapest to visit friends.

The impact on me was to reassert the depth, complexity and colour of this seminal part of our history and civilisation. In particular this is the cauldron in which Judaism, Christianity and Islam were created, together with much of our science, language and mathematics.

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Fiction, Recollections & News

The Meaning of Death

 

 

 

 

 

 

'I was recently restored to life after being dead for several hours' 

The truth of this statement depends on the changing and surprisingly imprecise meaning of the word: 'dead'. 

Until the middle of last century a medical person may well have declared me dead.  I was definitely dead by the rules of the day.  I lacked most of the essential 'vital signs' of a living person and the technology that sustained me in their absence was not yet perfected. 

I was no longer breathing; I had no heartbeat; I was limp and unconscious; and I failed to respond to stimuli, like being cut open (as in a post mortem examination) and having my heart sliced into.  Until the middle of the 20th century the next course would have been to call an undertaker; say some comforting words then dispose of my corpse: perhaps at sea if I was travelling (that might be nice); or it in a box in the ground; or by feeding my low-ash coffin into a furnace then collect the dust to deposit or scatter somewhere.

But today we set little store by a pulse or breathing as arbiters of life.  No more listening for a heartbeat or holding a feather to the nose. Now we need to know about the state of the brain and central nervous system.  According to the BMA: '{death} is generally taken to mean the irreversible loss of capacity for consciousness combined with the irreversible loss of capacity to breathe'.  In other words, returning from death depends on the potential of our brain and central nervous system to recover from whatever trauma or disease assails us.

Read more: The Meaning of Death

Opinions and Philosophy

The race for a SARS-CoV-2 vaccine

 

 

 

 

As we all now know (unless we've been living under a rock) the only way of defeating a pandemic is to achieve 'herd immunity' for the community at large; while strictly quarantining the most vulnerable.

Herd immunity can be achieved by most people in a community catching a virus and suffering the consequences or by vaccination.

It's over two centuries since Edward Jenner used cowpox to 'vaccinate' (from 'vacca' - Latin for cow) against smallpox. Since then medical science has been developing ways to pre-warn our immune systems of potentially harmful viruses using 'vaccines'.

In the last fifty years herd immunity has successfully been achieved against many viruses using vaccination and the race is on to achieve the same against SARS-CoV-2 (Covid-19).

Developing; manufacturing; and distributing a vaccine is at the leading edge of our scientific capabilities and knowledge and is a highly skilled; technologically advanced; and expensive undertaking. Yet the rewards are potentially great, when the economic and societal consequences of the current pandemic are dire and governments around the world are desperate for a solution. 

So elite researchers on every continent have joined the race with 51 vaccines now in clinical trials on humans and at least 75 in preclinical trials on animals.

Read more: The race for a SARS-CoV-2 vaccine

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