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The Celebrity Cruises tour encompassed 12 nights: Amsterdam (Holland/Netherlands); Ronne (Denmark); Helsinki (Finland); Tallinn (Estonia); Riga (Latvia); Stockholm (Sweden); Copenhagen (Denmark); and back to Amsterdam.

 

 

The Celebrity Apex is a large ship. Much bigger than the Titanic (46,330 GT) that would comfortably fit within its outline, funnels, and all, with ample space for another boat or two.

At 130,818 GT she is about 40% larger than the Queen Elizabeth (90,000 GT), on which we have previously sailed.

This is mainly evident in the bathrooms, that are considerably bigger. Otherwise, our 'stateroom' was much the same, except for the enclosable balcony. Very comfortable.

 


Like the Queen Elizabeth she is diesel-electric, driven by fully rotatable electric azipods at the stern (no rudder) and equipped with four tunnel thrusters near the bow. The bow shape is also unusual. Instead of the usual torpedo-like forward projection, under the water, the hull slopes forward to encapsulate it, improving water flow, fuel efficiency and lowering turbulence and noise.

She has a published top speed of 22.7 knots and achieved this at least once during the cruise, as did the Queen Elizabeth on our earlier cruise - all without a huge team of navies furiously shovelling coal into her belly (as in the Titanic).

I was amused that the models one can buy on board, presumably to add to a collection, do not incorporate this distinctive feature. When I pointed this out the sales person, he had no idea what I was talking about and told me that: "The bow is the front of the ship sir."
OK then! That must mean that it is forward of the stern!

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There's also room for a bigger casino. But this one boasts more staff that players. At least, when on the Baltic and with about half the cabins unoccupied.

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As on the Queen Elizabeth, there is a large theatre in the bow. This one has very large LED screens forming the entire backdrop to the theatre (6m x 33.5m or 20' x 110' in old mensuration).

Initially gobsmacked, I imagined that this was a single curved screen with just one integrated door, that opened to let performers enter, and then, magically, disappeared, back into the prevailing image. But later in the cruise, sections opened to reveal a back-stage, as the huge panels separated and slid behind one another.

I learned on-line (yes, we had Wi-Fi) that it has 4K resolution and is comprised of 17 million LED pixels. Amazing computer power.

 

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Needless to say: the theatre has all the usual lighting and stage machinery, most of it hydraulic or motorised.

In addition to different guest performers each day, there's a resident troop of stage performers, highflying gymnasts and musicians. During the day there are talks (lectures) on interesting topics - like the ports to be visited.

There are two more-or-less identical performances each night and we generally went to the later one, when, as the ship was half empty, there was never any difficulty finding a seat.

Having seen 'Jersey Boys' on stage in London and in Sydney, I was moved to record part of this performance (songs only) that was also excellent. 

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Much of the lower Baltic Sea is in Danish waters and at the southern tip of Sweden is the small island of Bornholm and the town and port of Rønne, our first port of call  - around 800 nautical miles - quite a long way - from Amsterdam:

 

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Travel

Poland

Poland

 

 

Berlin

We were to drive to Poland from Berlin.  In September and October 2014 were in Berlin to meet and spend some time with my new grandson, Leander.  But because we were concerned that we might be a burden to entertain for a whole month-and-a-half, what with the demands of a five month old baby and so on, we had pre-planned a number of side-trips.  The last of these was to Poland. 

To pick up the car that I had booked months before, we caught the U-Bahn from Magdalenenstraße, close to Emily's home in Lichtenberg, to Alexanderplatz.  Quick - about 15 minutes - and easy.

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Fiction, Recollections & News

Love in the time of Coronavirus

 

 

 

 

Gabriel García Márquez's novel Love in the Time of Cholera lies abandoned on my bookshelf.  I lost patience with his mysticism - or maybe it was One Hundred Years of Solitude that drove me bananas?  Yet like Albert Camus' The Plague it's a title that seems fit for the times.  In some ways writing anything just now feels like a similar undertaking.

My next travel diary on this website was to have been about the wonders of Cruising - expanding on my photo diary of our recent trip to Papua New Guinea.

 


Cruising to PNG - click on the image to see more

 

Somehow that project now seems a little like advocating passing time with that entertaining game: Russian Roulette. A trip on Corona Cruise Lines perhaps?

In the meantime I've been drawn into several Facebook discussions about the 1918-20 Spanish Influenza pandemic.

After a little consideration I've concluded that it's a bad time to be a National or State leader as they will soon be forced to make the unenviable choice between the Scylla and Charybdis that I end this essay with.

On a brighter note, I've discovered that the economy can be expected to bounce back invigorated. We have all heard of the Roaring Twenties

So the cruise industry, can take heart, because the most remarkable thing about Spanish Influenza pandemic was just how quickly people got over it after it passed.

Read more: Love in the time of Coronavirus

Opinions and Philosophy

Tragedy in Norway

 

 

The extraordinary tragedy in Norway points yet again to the dangers of extremism in any religion. 

I find it hard to comprehend that anyone can hold their religious beliefs so strongly that they are driven to carefully plan then systematically kill others.  Yet it seems to happen all to often.

The Norwegian murderer, Anders Behring Breivik, reportedly quotes Sydney's Cardinal Pell, John Howard and Peter Costello in his manifesto.   Breivik apparently sees himself as a Christian Knight on a renewed Crusade to stem the influx of Muslims to Europe; and to Norway in particular.

Read more: Tragedy in Norway

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