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Back in 2021 I went to see the first installment of ‘DUNE’ and was slightly 'put out' to discover that it ended half way through the (first) book.

It was the second big-screen attempt to make a movie of the book, if you don’t count the first ‘Star Wars’, that borrows shamelessly from Frank Herbert’s Si-Fi classic, and I thought it a lot better.

Now the long-awaited second part has been released.

 

Directed by Denis Villeneuve
Screenplay by Denis Villeneuve, Jon Spaihts
Based on Dune by Frank Herbert
Starring Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Austin Butler' Florence Pugh, Dave Bautista
Christopher Walken, Léa Seydoux, Souheila Yacoub, Stellan Skarsgård, Charlotte Rampling, Javier Bardem
Cinematography Greig Fraser, Edited by Joe Walker
Music by Hans Zimmer
Running time 165 minutes

 

 

As I said back in 2021: Frank Herbert (Franklin Patrick Herbert Jr. 1920 –1986) was, and remains, a favourite author of mine. See: DUNE

I commented that bringing the book to the screen was a big challenge, as the book is complex and, I doubt, 'comes across' in a simple sequence of events and characterisations, to anyone who hasn't read it. 

So, how has director, Denis Villenueve, done this time? 

It will please my daughter, Emily, that there is more emphasis on the Bene Gesserit's overarching agenda of genetic and religious manipulation and implicitly in Jessica's actions, first in persisting in having a boy, then on inducting her unborn daughter, that have 'put a spanner in the works'. This future manipulating aspect of Herbert's 'Dune' novels is SiFi mainstream echoing Asimov's groundbreaking 'Foundation' series, published in the 40's and 50's.

Part One was highly awarded for its cinematography, special effects and creative costumes. 

Part Two steps all these 'up a notch'.  The cinematic effects combined with the sound-track are truly spectacular. The central members of the original cast are now joined by some 'big names', including Javier Bardem and Christopher Walken, with additional character development. Despite the complexity, editing is tight, yielding a running time of two hours and 45 minutes with not a boring scene. Hard to achieve when merging AI generated battle scenes and live action.

Expect it to take out the next series of awards. 

It is less 'edge of seat thriller' and more thoughtful than the first. There is one particularly dark moment when we might be in Gaza, during an Israeli bombardment.  Elsewhere it's quite humorous like in a 'Life of Brianesque' scene when Paul denies being the prophesied messiah. Stilgar (Javier Bardem) says that by denying this he proves that he is the messiah. It got a good laugh from the local cinema audience.

I left the cinema quite satisfied, feeling that, although I was sure that there were significant alterations, this time it pretty well reflected Herbert's intensions. 

The ending sets the scene for the next novel, Dune Messiah, then there are just four more novels to go: Children of Dune; God Emperor of Dune; Heretics of Dune; and Chapterhouse: Dune. After that  Frank Herbert died but I'm sure that's no barrier to the film industry. 

I can recommend it.

So now I'm ready to read the book once more, with new imagery in my head thanks to Villenueve, and to check again on just how much of the holy text has been altered.  

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Travel

Japan

 

 

 

 

In the second week of May 2017 our small group of habitual fellow travellers Craig and Sonia; Wendy and I; took a package introductory tour: Discover Japan 2017 visiting: Narita; Tokyo; Yokohama; Atami; Toyohashi; Kyoto; and Osaka.  

Read more: Japan

Fiction, Recollections & News

Les Misérables - The Musical

 

The musical Les Misérables has returned to Sydney.   By now we have both seen several versions.    

But we agreed that this new version is exceptional, with several quite spectacular staging innovations and an excellent cast of singers with perhaps one exception who was nevertheless very good.

Despite an audience that was obviously very familiar with the material (if I'm to judge by the not so sotto voce anticipatory comments from the woman next to us) the production managed to evoke the required tears and laughter in the appropriate places.  The packed theatre was clearly delighted and, opera style, the audience shouted approval at and applauded several of the vocal performances, some were moved to a standing ovation at the end.

 

 

Read more: Les Misérables - The Musical

Opinions and Philosophy

The race for a SARS-CoV-2 vaccine

 

 

 

 

As we all now know (unless we've been living under a rock) the only way of defeating a pandemic is to achieve 'herd immunity' for the community at large; while strictly quarantining the most vulnerable.

Herd immunity can be achieved by most people in a community catching a virus and suffering the consequences or by vaccination.

It's over two centuries since Edward Jenner used cowpox to 'vaccinate' (from 'vacca' - Latin for cow) against smallpox. Since then medical science has been developing ways to pre-warn our immune systems of potentially harmful viruses using 'vaccines'.

In the last fifty years herd immunity has successfully been achieved against many viruses using vaccination and the race is on to achieve the same against SARS-CoV-2 (Covid-19).

Developing; manufacturing; and distributing a vaccine is at the leading edge of our scientific capabilities and knowledge and is a highly skilled; technologically advanced; and expensive undertaking. Yet the rewards are potentially great, when the economic and societal consequences of the current pandemic are dire and governments around the world are desperate for a solution. 

So elite researchers on every continent have joined the race with 51 vaccines now in clinical trials on humans and at least 75 in preclinical trials on animals.

Read more: The race for a SARS-CoV-2 vaccine

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