Who is Online

We have 75 guests and no members online

Back in 2021 I went to see the first installment of ‘DUNE’ and was slightly 'put out' to discover that it ended half way through the (first) book.

It was the second big-screen attempt to make a movie of the book, if you don’t count the first ‘Star Wars’, that borrows shamelessly from Frank Herbert’s Si-Fi classic, and I thought it a lot better.

Now the long-awaited second part has been released.

 

Directed by Denis Villeneuve
Screenplay by Denis Villeneuve, Jon Spaihts
Based on Dune by Frank Herbert
Starring Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Austin Butler' Florence Pugh, Dave Bautista
Christopher Walken, Léa Seydoux, Souheila Yacoub, Stellan Skarsgård, Charlotte Rampling, Javier Bardem
Cinematography Greig Fraser, Edited by Joe Walker
Music by Hans Zimmer
Running time 165 minutes

 

 

As I said back in 2021: Frank Herbert (Franklin Patrick Herbert Jr. 1920 –1986) was, and remains, a favourite author of mine. See: DUNE

I commented that bringing the book to the screen was a big challenge, as the book is complex and, I doubt, 'comes across' in a simple sequence of events and characterisations, to anyone who hasn't read it. 

So, how has director, Denis Villenueve, done this time? 

It will please my daughter, Emily, that there is more emphasis on the Bene Gesserit's overarching agenda of genetic and religious manipulation and implicitly in Jessica's actions, first in persisting in having a boy, then on inducting her unborn daughter, that have 'put a spanner in the works'. This future manipulating aspect of Herbert's 'Dune' novels is SiFi mainstream echoing Asimov's groundbreaking 'Foundation' series, published in the 40's and 50's.

Part One was highly awarded for its cinematography, special effects and creative costumes. 

Part Two steps all these 'up a notch'.  The cinematic effects combined with the sound-track are truly spectacular. The central members of the original cast are now joined by some 'big names', including Javier Bardem and Christopher Walken, with additional character development. Despite the complexity, editing is tight, yielding a running time of two hours and 45 minutes with not a boring scene. Hard to achieve when merging AI generated battle scenes and live action.

Expect it to take out the next series of awards. 

It is less 'edge of seat thriller' and more thoughtful than the first. There is one particularly dark moment when we might be in Gaza, during an Israeli bombardment.  Elsewhere it's quite humorous like in a 'Life of Brianesque' scene when Paul denies being the prophesied messiah. Stilgar (Javier Bardem) says that by denying this he proves that he is the messiah. It got a good laugh from the local cinema audience.

I left the cinema quite satisfied, feeling that, although I was sure that there were significant alterations, this time it pretty well reflected Herbert's intensions. 

The ending sets the scene for the next novel, Dune Messiah, then there are just four more novels to go: Children of Dune; God Emperor of Dune; Heretics of Dune; and Chapterhouse: Dune. After that  Frank Herbert died but I'm sure that's no barrier to the film industry. 

I can recommend it.

So now I'm ready to read the book once more, with new imagery in my head thanks to Villenueve, and to check again on just how much of the holy text has been altered.  

No comments

Travel

In the footsteps of Marco Polo

 

 

 

 

Travels in Central Asia

 

In June 2018 we travelled to China before joining an organised tour in Central Asia that, except for a sojourn in the mountains of Tajikistan, followed in the footsteps of Marco Polo along the Great Silk Road. 

Read more: In the footsteps of Marco Polo

Fiction, Recollections & News

Australia in the 1930s

 

 

These recollections are by Ross Smith, written when he was only 86 years old; the same young man who subsequently went to war in New Britain; as related elsewhere on this website [read more...].  We learn about the development of the skills that later saved his life and those of others in his platoon.  We also get a sense of what it was to be poor in pre-war Australia; and the continuity of that experience from the earlier convict and pioneering days from which our Australia grew.                   *

Read more: Australia in the 1930s

Opinions and Philosophy

Frederick Sanger - a life well spent

 

I have reached a point in my life when the death of a valued colleague seems to be a monthly occurrence.  I remember my parents saying the same thing. 

We go thought phases.  First it is the arrival of adulthood when all one's friends are reaching 21 or 18, as the case may be.  Then they are all getting married.  Then the babies arrive.  Then it is our children's turn and we see them entering the same cycle.  And now the Grim Reaper appears regularly. 

As I have repeatedly affirmed elsewhere on this website, each of us has a profound impact on the future.  Often without our awareness or deliberate choice, we are by commission or omission, continuously taking actions that change our life's path and therefore the lives of others.  Thus our every decision has an impact on the very existence of those yet to be born. 

Read more: Frederick Sanger - a life well spent

Terms of Use

Terms of Use                                                                    Copyright