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On the road to Damascus

As the years went by I began to doubt the doomsday predictions that accompany the death of each old business, some of which predictions I helped to draft, and to value our economy’s ability to take up new ideas quickly and to quickly abandon those that have had their day. But at some point, like Paul on the road to Damascus, I had an epiphany, realising that our intervention was, in many cases, doing more economic harm than good.

I have spent many long hours debating these issues.  My argument became that we should redirect government support for manufacturing to the area where it demonstrably improves productivity:  to programs that develop skills in, or provide external expertise to, medium sized enterprises that are demonstrating high growth; to foster growth that is reflective of an innovative product or service and/or improved production technology and/or a new market opportunity.  Assistance should not be squandered keeping 'typewriter manufactures' in business or in relocating businesses to a struggling country town where they can only continue to exist on subsidies.

But as we are presently witnessing, politicians like to offer their electorate taxpayer funded presents. And they feel a need to do or, more often, just to say something in mitigation, if a significant business is to be lost.  They often expect to be backed-up with some kind of executive action, usually amounting to a taxpayer handout, to delay a closure.

I could easily list another twenty major manufacturing closures in regional NSW, including iron and steel making in Newcastle, and probably, if I had access to the database, thousands of smaller businesses, where there is a high ‘churn rate’ of start-ups and closures.

I have come to accept that these many closures have not devastated the Australian economy.  Quite the opposite - resources have been redistributed more efficiently.  The economy grew rapidly at the end of the last century as we began to concentrate on the things we do well and to abandon those old industries that once weighed us down. 

History shows that the impact of such a closure is often ultimately beneficial.  The decision to abandon a moribund, unprofitable industry in a growing city can be positive, as productive resources, including land; factory space; and skilled people, are rearranged. 

On my birthday in 1999, Newcastle, that was once the home of Australia's largest steel maker with a peak workforce of almost 12,000, saw the closure of the coke ovens,  blast furnaces, and steelmaking that once defined the city.  In a decade and a half since the closure, Newcastle has blossomed and now has a larger workforce; a larger population; and substantially lower unemployment; than it had in 1999.

But for me, the last step on the road to Damascus was the Victorian Government’s attempts to save a Kodak processing plant at Burnley, in the face of obvious technological change.  It became a symbol of wrong headedness.  How could anyone not see that film was a dying, if not already dead, technology?  That they enlisted Federal support for this farrago was unconscionable.  Australian taxpayers money, that could have been spent on scientific research;  education;  infrastructure; or dozens of better projects that could be real investments in the future, was squandered. 

 

 

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Travel

Hong Kong and Shenzhen China

 

 

 

 

 

Following our Japan trip in May 2017 we all returned to Hong Kong, after which Craig and Sonia headed home and Wendy and I headed to Shenzhen in China. 

I have mentioned both these locations as a result of previous travels.  They form what is effectively a single conurbation divided by the Hong Kong/Mainland border and this line also divides the population economically and in terms of population density.

These days there is a great deal of two way traffic between the two.  It's very easy if one has the appropriate passes; and just a little less so for foreign tourists like us.  Australians don't need a visa to Hong Kong but do need one to go into China unless flying through and stopping at certain locations for less than 72 hours.  Getting a visa requires a visit to the Chinese consulate at home or sitting around in a reception room on the Hong Kong side of the border, for about an hour in a ticket-queue, waiting for a (less expensive) temporary visa to be issued.

With documents in hand it's no more difficult than walking from one metro platform to the next, a five minute walk, interrupted in this case by queues at the immigration desks.  Both metros are world class and very similar, with the metro on the Chinese side a little more modern. It's also considerably less expensive. From here you can also take a very fast train to Guangzhou (see our recent visit there on this website) and from there to other major cities in China. 

Read more: Hong Kong and Shenzhen China

Fiction, Recollections & News

The Craft - Preface

 

 

 

Preface: 

 

The Craft is an e-novel about Witchcraft in a future setting.  It's a prequel to my dystopian novella: The Cloud: set in the the last half of the 21st century - after The Great Famine.

 As I was writing The Cloud, I imagined that in fifty years the great bulk of the population will rely on their Virtual Personal Assistant (VPA), hosted in The Cloud, evolved from the primitive Siri and Cortana assistants available today. Owners will name their VPA and give him or her a personalised appearance, when viewed on a screen or in virtual-reality.

VPAs have obviated the need for most people to be able to read or write or to be numerate. If a text or sum is within view of a Cloud-connected camera, one can simply ask your VPA who will tell you what it says or means in your own language, explaining any difficult concepts by reference to the Central Encyclopaedia.

The potential to give the assistant multi-dimensional appearance and a virtual, interactive, body suggested the evolution of the: 'Sexy Business Assistant'. Employing all the resources of the Cloud, these would be super-smart and enhance the owner's business careers. Yet they are insidiously malicious, bankrupting their owners and causing their deaths before evaporating in a sea of bits.  But who or what could be responsible?  Witches?

Read more: The Craft - Preface

Opinions and Philosophy

The reputation of nuclear power

 

 

One night of at the end of March in 1979 we went to a party in Queens.  Brenda, my first wife, is an artist and was painting and studying in New York.  Our friends included many of the younger artists working in New York at the time.  That day it had just been announced that there was a possible meltdown at a nuclear reactor at a place called a Three Mile Island , near Harrisburg Pennsylvania. 

I was amazed that some people at the party were excitedly imagining that the scenario in the just released film ‘The China Syndrome’  was about to be realised; and thousands of people would be killed. 

Read more: The reputation of nuclear power

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