Travel

Hong Kong and Shenzhen China

Following our Japan trip in May 2017 we all returned to Hong Kong, after which Craig and Sonia headed home and Wendy and I headed to Shenzhen in China. 

I have mentioned both these locations as a result of previous travels.  They form what is effectively a single conurbation divided by the Hong Kong/Mainland border and this line also divides the population economically and in terms of population density.

These days there is a great deal of two way traffic between the two.  It's very easy if one has the appropriate passes; and just a little less so for foreign tourists like us.  Australians don't need a visa to Hong Kong but do need one to go into China unless flying through and stopping at certain locations for less than 72 hours.  Getting a visa requires a visit to the Chinese consulate at home or sitting around in a reception room on the Hong Kong side of the border, for about an hour in a ticket-queue, waiting for a (less expensive) temporary visa to be issued.

With documents in hand it's no more difficult than walking from one metro platform to the next, a five minute walk, interrupted in this case by queues at the immigration desks.  Both metros are world class and very similar, with the metro on the Chinese side a little more modern. It's also considerably less expensive. From here you can also take a very fast train to Guangzhou (see our recent visit there on this website) and from there to other major cities in China. 

Preface - The Craft

The Craft is an e-novel about Witchcraft in a future setting.  It's a prequel to The Cloud, set initially at the turn of 2069-2070 after The Great Famine.

It has adult content.  

As with all fiction on this Website stories evolve from time-to-time.   Unlike printed books that have distinct editions, these stories morph and twist so that returning to them after a period may provide a new experience.

Click here to Read more...

The Prospect of Eternal Life

To die, to sleep;
To sleep: perchance to dream:
ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause:
… But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;

[1]

When I first began to write about this subject, the idea that Hamlet’s fear was still current in today’s day and age seemed to me as bizarre as the fear of falling off the earth if you sail too far to the west.  And yet several people have identified the prospect of an 'undiscovered country from whose realm no traveller returns' as an important consideration when contemplating death.  This is, apparently, neither the rational existential desire to avoid annihilation; nor the animal imperative to keep living under any circumstances; but a fear of what lies beyond.