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A Note about Witches

In fairy-tales, witches always wear silly black hats and black cloaks, and they ride on broomsticks.
But this is not a fairy-tale.  This is about real WITCHES
REAL WITCHES dress in ordinary clothes and look very much like ordinary women.
They live in ordinary houses and they work in ORDINARY JOBS.
That is why they are so hard to catch.

Roald Dahl - The Witches

 

The Craft is an e-novel about Witchcraft in a future setting.  It's a prequel to The Cloud, set initially at the turn of 2069-2070 after The Great Famine.

It has adult content.  

As with all fiction on this Website stories evolve from time-to-time.   Unlike printed books that have distinct editions, these stories morph and twist so that returning to them after a period may provide a new experience.

Click here to Read more...

 

 

 

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Travel

Argentina & Uruguay

 

 

In October 2011 our little group: Sonia, Craig, Wendy and Richard visited Argentina. We spent two periods of time in Buenos Aires; at the start and at the end of our trip; and we two nights at the Iguassu Falls.

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Fiction, Recollections & News

Preface - The Craft

 

 

A Note about Witches

In fairy-tales, witches always wear silly black hats and black cloaks, and they ride on broomsticks.
But this is not a fairy-tale.  This is about real WITCHES
REAL WITCHES dress in ordinary clothes and look very much like ordinary women.
They live in ordinary houses and they work in ORDINARY JOBS.
That is why they are so hard to catch.

Roald Dahl - The Witches

 

The Craft is an e-novel about Witchcraft in a future setting.  It's a prequel to The Cloud, set initially at the turn of 2069-2070 after The Great Famine.

It has adult content.  

As with all fiction on this Website stories evolve from time-to-time.   Unlike printed books that have distinct editions, these stories morph and twist so that returning to them after a period may provide a new experience.

Click here to Read more...

 

 

 

Opinions and Philosophy

The reputation of nuclear power

 

 

One night of at the end of March in 1979 we went to a party in Queens.  Brenda, my first wife, is an artist and was painting and studying in New York.  Our friends included many of the younger artists working in New York at the time.  That day it had just been announced that there was a possible meltdown at a nuclear reactor at a place called a Three Mile Island , near Harrisburg Pennsylvania. 

I was amazed that some people at the party were excitedly imagining that the scenario in the just released film ‘The China Syndrome’  was about to be realised; and thousands of people would be killed. 

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